About the Book:
It is 2008 and Carrie McClelland can’t hit the right note for her next novel, but an unplanned detour in Scotland, and a stop at the castle that inspired Count Dracula, sets her on a different path; a path that took her back in time exactly 300 years, to that same castle, and to a rebellion doomed to failure. Alternating between the contemporary setting and the past, The Winter Sea takes us at every turn into little known worlds; historical footnotes writ large, a history of Scotland and the Jacobite rebellion of 1708 and the possibility of genetic memory. Historical fiction at its best and Susanna Kearsley at hers, The Winter Sea evokes the writing of Thomas Raddall, Daphne Du Maurier, and Mary Stewart.
Book Review:
Generally speaking, I am not a sad ending type of person. I have always felt that life has enough sad endings, without our help in the matter. So, as I started to get into this book — after several false starts — and I started to see the direction this was going, I really had to talk myself into finishing the book. And I am so glad I did! Mainly because all of my opinions about this book were formed in the last quarter of the book. And that is not to say the first three quarters were bad. This was actually an enjoyable read — and Kearsley is a very talented author.
Simply put, I am amazed at Kearsley’s ability to get a reader to hate and love the same book with equal amounts of passion for both responses. And it is a testament to her writing abilities that she can keep a reader through all of those varied responses, and have them coming out the other side glad they read the book. Strictly speaking, Kearsley actually develops two different story lines throughout this book. Since the main character, Carrie McClelland is an author, struggling to write her own “historical fiction” account of one of her ancestors — she comes away finding that sometimes history and fiction have a lot more in common than we might think. And it is these two very different, and yet disturbingly similar stories that hold the plot together. Written in alternating chapters, I found that it was the shifting back and forth that was the only part of this book that really frustrated me. But not in a bad way. I simply found that just as I was getting excited to find out how one would develop — the story would shift back to the other story — leaving me continuously hanging until the very end. (Which is not really a bad thing as far as reading a good book goes.)
A couple of the characters, such as Graham could have been developed a little bit better. He seemed to loose a little bit of depth in the shadow of the other strongly built characters who dominate this story. And Colonel Moran suffered from much the same dilemma. But over all the other characters of the book were well established and fun to get lost in their lives. Combine that with the fun setting and historical background of Scotland and you have the makings of an ideal story for any lover of history, romance, political struggles, and the fickle tides of chance.
I particularly loved the character of Carrie Mclelland, and her straight forward approach to life. I was really able to identify with her no nonsense approach. She knows what she wants out of life, and she isn’t afraid to go after it. She doesn’t believe in playing games, and prefers to meet the challenges of life with a very real commitment to overcoming the challenges in front of her. For some reason I was just really able to identify with her.
I also really loved the Scottish setting. This could have been simply the gift of Kersley in presenting the mystical and sometimes haunting elements that make up this proud and strong people. Or it could be my own family history lore coming to the front. But either way I loved how this setting rings with both truth and the sense that the reader has actually stepped into this political quagmire that made up the times of the story.
The love story part of this book is not really overwhelming, and in fact plays well into the story as a whole. And while the events of the time take center stage — the romance backdrop is essential to the continuity and movement of the story. This may be because the male counterparts to the heroins were not as fully developed as I usually like — so the romance portion of the story couldn’t develop as fully as it does in some other books I have read. But overall, I actually found that a story that plays down the romance, and isn’t being written simply for the sex scenes, but rather as a furtherance of the story as a whole is more my preference.
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Originally posted 2011-12-20 08:05:41. Republished by Blog Post Promoter



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